Technology, Books and Other Neat Stuff

Surgeons from Great Ormond Street Hospital are working with Ferrari's pit crew, to see if the high-speed surgery of the Formula 1 team can help them improve their emergency room procedures.

The Ferrari people filmed the doctors at work, then dissected the images with them. "For years we've been convinced that we were doing things pretty well, but seeing the tape it was shocking to notice our lack of coordination", says Nick Pigott of the intensive-care unit.

TEDBlog also mentions how IDEO have been taking US emergency room surgeons to NASCAR pits:

Time is of essence in both the ER and a car race, and "doctors were impressed by the high level of preparation and coordination of the pit team". Tom explained that while the Nascar teams are perfectly synchronized and approach the car from planned directions and carrying all the necessary tools and parts on them, doctors often enter the ER just to start asking nurses to gather, every time anew, the necessary tools and machines and drugs.

Fascinating stuff, and a look at just how we can learn from many difference places.

TEDblog has gone straight onto my blogroll.

The IEEE's Spectrum has posted a list of the coolest engineering jobs going. Having wielded a mean soldering iron and pipe cutter in my time, Anthony Eckersall's story is one that was dear to my heart. He specialises in the design and development of complex computer-controlled fountains and water displays. One of his projects was the reworking of the Bellagio's fountains.

The article takes us behind the scenes of the fountains, which can throw water 160 metres in the air.

Even in a city famous for excess, the Bellagio fountain is exceptional. There are 8000 meters of pipes, 1200 nozzles, and 4500 lights. It cost US $75 million to build and attracts crowds every half-hour. When the show begins, pipes rise from the depths of its 8 acres of water, as if a huge school of dolphins were called to the surface by the music. Water flows from the nozzles in streams that meld into bracelets of liquid diamonds, seemingly suspended in midair. They begin to sway left, then right, then forward and back. Suddenly, more pipes break the surface and with a convulsive kick discharge a mist of water nearly 50 meters into the air. At their summit the new arcs seem to pause, then come crashing down with a sound that nearly drowns out the oohs and aahs from the crowd.

Behind the liquid pyrotechnics is some serious technology, including a host of small robots and two classes of computer controls. The small robots, called oarsmen, point each nozzle anywhere in a 360-degree range. There's also a show computer, which acts like a stage manager, choreographing the shooters and robots in their hydrodynamic ballet. And there's a housekeeping brain—a second computer that monitors the water's pH and its filtering and can override the show computer. Finally, there's the human brain that programs the electronic ones.

It's also an excuse to post this collage of photos we've taken of the fountains over the last couple of years...



Links to the individual images can be found here